#Haim days are gone cover mac#

HAIM Release 'Gasoline' Remix feat.Description HAIM Days Are Gone Vinyl/Vinyl/.

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No matter if their next steps lead to Top 40 success or ignominy, the journey will surely a fascinating one. It is where HAIM goes from here that will be the true test of their obvious abilities and guile. And considering the attention the trio has already received, they have quickly struck a chord with music fans around the world. Much of the guitar work on вЂњThe WireвЂќ is entirely superfluous, and вЂњHoney & IвЂќ takes far too long to really get up a head of steam.ДЇor a first foray into the pop universe (not counting Danielle and EsteвЂ™s days as members of a Nickelodeon-approved girl group), Days Are Gone is a hell of an opening salvo. As well, multiple listens start to reveal the cracks in even the best songs here. As intriguing as the production gets-the interpolation of a slow trap beat into вЂњMy Song 5вЂќ is a particularly nice touch-nothing reaches the heights of the albumвЂ™s first six tracks. The LP is frontloaded with could be Top 10 hits, leaving the back half of the album awash in afterthoughts. The original hooks on the above songs will have their barbs in you for days on end.Дays Are Gone follows the pop template to its own undoing, though. And all three women use their tightly wound harmonies effectively and impressively. Lead vocalist Danielle Haim is a constant surprise, taking some of the most unusual rouГ©s to squeeze in her discursive lyrics of personal joys and woes. ItвЂ™s one thing to give these reference points the spotlight, but the goal is to transcend them in some fashion. One song later, they bring in the ruby-colored synths and spirit of Whitney HoustonвЂ™s вЂњI Wanna Dance With SomebodyвЂќ to augment their own вЂњIf I Could Change Your Mind,вЂќ and follow that up with вЂњHoney & I,вЂќ which hews as close to the template of Eurythmics classic вЂњRight By Your SideвЂќ without becoming an straight cover song.

#Haim days are gone cover mac#

2вЂќ hybrid then moves into a mixture of late вЂ70s/early вЂ80s rock touchstones from their beloved Fleetwood Mac to Linda Ronstadt to Billy Squier. The most recent, and blatant, example is the groupвЂ™s latest single вЂњThe Wire.вЂќ It opens with a вЂњHeartache TonightвЂќ/вЂќRock & Roll, pt. Lately, though, the feeling has shifted to: вЂњHuh, this song sounds almost exactly like that song.вЂќ This is the trouble Robin Thicke and Pharrell have stumbled into with their facsimile of Marvin GayeвЂ™s вЂњGot To Give It Up.вЂќ And itвЂ™s something that you are going to be hearing about a lot in reference to Days Are Gone, the first LP by all-sister trio HAIM, because these young women donвЂ™t try to hide their pastiche approach to songwriting in the slightest. The idea, as far as I understood it, was to imbue in the listener the feeling of вЂњOh, this song reminds me of that song.вЂќ How a band or artist distinguishes the work is in the shading or smoothing over of those imprints.

When knocking a pop song into shape, the finished product is always going to bear the marks of its influences.